Amadeus (film) - Wikipedia. Amadeus is a 1. 98. American period drama film directed by Milo. The story, set in Vienna, Austria, during the latter half of the 1. Wolfgang Amadeus Mozart. Mozart's music is heard extensively in the soundtrack of the movie. Its central thesis is that Antonio Salieri, an Italian contemporary of Mozart is so driven by jealousy of the latter and his success as a composer that he plans to kill him and to pass off a Requiem, which he secretly commissioned from Mozart as his own, to be premiered at Mozart's funeral. The Firemen's Ball (1968) Fitzcarraldo (1982) Five Easy Pieces (1970). One Flew Over the Cuckoo's Nest (1975) Orpheus (1949) Out of the Past (1947). Roger Ebert's Great Movies Series. Ace In the Hole (1951) Adaptation (2002) The Adventures of Robin Hood (1938). Firemen's Ball (1949) Fitzcarraldo (1982) Five Easy Pieces (1970) Floating Weeds (1959) Forbidden Games (1952. Historically, the Requiem, which was never finished, was commissioned by Count von Walsegg, and Salieri, far from being jealous of Mozart, was on good terms with him and even tutored his son after Mozart's death. The film was nominated for 5. Academy Awards (including Best Picture), four BAFTA Awards, four Golden Globes, and a Directors Guild of America (DGA) award. As of 2. 01. 6, it is the most recent film to have more than one nomination in the Academy Award for Best Actor category. Luke Tobin came on the job in December 1949. He was promoted to lieutenant in early 1964. CLICK ANY OF THESE IMAGES TO ENLARGE. New Bedford Whaling Museum Research Library Mss 31 . Dartmouth Firemen's Assn, 1949. Firemen's Ball (1949) The history of the Greek family between 19, which recounts the major events of World War II: the German occupation, the resistance, and the liberation. Bloomington Fire Department had only two steamers to fight the great fire of 1900. 4.22 'Firemen Made Ultimate Sacrifice in '28 Fire'. In 1. 99. 8, the American Film Institute ranked Amadeus 5. Years.. 1. 00 Movies list. The story begins in 1. Antonio Salieri (F. Murray Abraham) attempts suicide by slitting his throat while loudly begging forgiveness for having killed Wolfgang Amadeus Mozart (Tom Hulce) in 1. Placed in a lunatic asylum for the act, Salieri is visited by Father Vogler (Richard Frank), a young priest who seeks to hear his confession. Salieri is initially sullen and uninterested, but eventually warms to the priest and launches into a long . He reminisces about his youth, particularly about his devotion to God, and his love for music, despite his father's plans for him to go into commerce. He pledged to God to remain celibate as a sacrifice if he could somehow devote his life to music, and perceived his father's subsequent death as divine intervention to make this possible. Years later, Salieri is part of the 1. Vienna, the . He is respected, financially well- off, and has been appointed court composer for Holy Roman Emperor. Joseph II (Jeffrey Jones). He is content, and believes his successes are God. Salieri secretly observes Mozart, and is shocked to discover that rather than the paragon of virtue that he has imagined, Mozart is in fact boorish, irreverent, and lewd. Later, when Mozart meets the Emperor, Salieri presents Mozart with a . After hearing the march only once, Mozart plays it from memory, tactlessly critiques it, and effortlessly improvises a variation, transforming Salieri's . He believes that God, through Mozart's genius, is cruelly laughing at Salieri's own musical mediocrity. Salieri's struggles with God are intercut with scenes showing Mozart's own trials and tribulations with life in Vienna: pride at the initial reception of his music, anger and disbelief over his subsequent snubbing by the Italians of the Emperor's court, happiness with his wife Constanze (Elizabeth Berridge) and his son Karl, and grief at the death of his father Leopold (Roy Dotrice). Mozart becomes more desperate as the family's expenses increase and his commissions decrease. When Salieri learns of Mozart's financial straits, he sees his chance to avenge himself, using . He disguises himself in a mask and costume similar to one he saw Leopold wear at a party, and commissions Mozart to write a requiem mass, giving him a down payment and the promise of an enormous sum upon completion. Mozart begins to write the piece, the Requiem in D minor, unaware of the true identity of his mysterious patron and oblivious of his murderous intentions. Glossing over any details of how he might commit the murder, Salieri dwells on the anticipation of the admiration of his peers and the court, when they applaud the magnificent Requiem, and he claims to be the music's composer. Only Salieri and God would know the truth. This, combined with his heavy drinking, continued grief over the death of his father, and the composing demands of the Requiem and The Magic Flute drive him to the point of exhaustion as he alternates work between the two pieces. After a violent argument, Constanze leaves him and takes their son with her. His health worsens, and he collapses during a performance of The Magic Flute. Salieri takes the stricken Mozart home and convinces him to work on the Requiem. Mozart dictates while Salieri transcribes throughout the night. When Constanze returns in the morning, she tells Salieri to leave. Constanze locks the manuscript away despite Salieri's objections, but as she goes to wake her husband, she finds that Mozart is dead. The Requiem is left unfinished, and Salieri is left powerless as Mozart's body is hauled out of Vienna for burial in a pauper's mass grave. The film ends as Salieri finishes recounting his story to the visibly shaken young priest. Salieri concludes that God killed Mozart rather than allow Salieri to share in even an ounce of his glory, and that he is consigned to be the . Salieri absolves the priest of his own mediocrity and blesses his fellow patients as he is taken away in his wheelchair. The last sound heard before the credits roll is Mozart's high- pitched laughter. Production. Simon Callow, who played Mozart in the original London stage production of Amadeus, was cast as Emanuel Schikaneder, the librettist of The Magic Flute. The film was shot on location in Prague, Krom. Notably, Forman was able to shoot scenes in the Count Nostitz Theatre in Prague, where Don Giovanni and La clemenza di Tito debuted two centuries before. Several other scenes were shot at the Barrandov Studios. Forman collaborated with American choreographer Twyla Tharp. Reception. The film won eight Oscars, including Best Picture, Best Actor (Abraham), Best Director (Forman), Costume Design (Theodor Pi. The film was nominated for but did not win Oscars for Best Cinematography and Best Editing. Amadeus, The English Patient, The Hurt Locker, The Artist, and Birdman are the only Best Picture winners to never enter the weekend box office top 5 after rankings began being recorded in 1. Saul Zaentz produced both Amadeus and The English Patient. The film was nominated for six Golden Globes (Hulce and Abraham were nominated together) and won four, including awards to Forman, Abraham, Shaffer, and Golden Globe Award for Best Picture . Jeffrey Jones was nominated for Golden Globe for Best Supporting Actor . Forman also received the Directors Guild of America Award for his work. At the end of the Oscar ceremony, Laurence Olivier came on stage to present the Oscar for Best Picture. As Olivier thanked the Academy for inviting him, he was already opening the envelope. Instead of announcing the nominees, he simply read, . Olivier (in his 7. Maurice Jarre won the Oscar for Best Original Music Score for his scoring of A Passage to India. In his acceptance speech for the award, Jarre remarked . In 2. 00. 2, director Milo. This version was released by the studios as a Director's Cut. In the 1. 99. 5 supplemental material for Pioneer's deluxe Laser. Disc, Milo. However, in a subsequent 2. The A. V. Club, the director explains why the scenes were eventually restored: When you finish a film, before the first paying audience sees it, you don't have any idea. You don't know if you made a success or a flop, when it comes to the box office. And in the '8. 0s, with MTV on the scene, we are having a three- hour film about classical music, with long names and wigs and costumes. Don't forget that no major studio wanted to finance the film, for these reasons. Whatever was not directly connected to the plot, I just cut out. But it was a mutual decision . I wanted the best life for the film myself.. Well, once we are re- releasing it on DVD, it doesn't matter if it is two hours and 4. So why don't we do the version as it was written in the script? Giovanni Battista Pergolesi: Stabat Mater: Quando corpus morietur and Amen. Early 1. 8th Century Gypsy Music: Bubak and Hungaricus. Mozart: Serenade for Winds in B flat major, K. Mozart: The Abduction from the Seraglio, K. Turkish Finale. Mozart: Symphony No. Mozart: Concerto for Two Pianos in E flat major, K. Mozart: Great Mass in C minor, K. Kyrie. Mozart: Symphonie Concertante in E flat major, K. Mozart: Piano Concerto No. E flat major, K. 4. Mozart: The Marriage of Figaro, K. Act III, Ecco la marcia. Mozart: The Marriage of Figaro, K. Act IV, Ah, tutti contenti. Mozart: Don Giovanni, K. Act II, Commendatore scene. Mozart: Zaide, K. Aria, Ruhe sanft. Mozart: Requiem, K. Introitus (orchestral introduction)Mozart: Requiem, K. Dies irae. Mozart: Requiem, K. Rex tremendae majestatis. Mozart: Requiem, K. Confutatis. Mozart: Requiem, K. Lacrimosa. Mozart: Piano Concerto No. All tracks on the album were performed specifically for the film. According to the film commentary by Forman and Schaffer, Marriner agreed to score the film if Mozart's music was completely unchanged from the original scores. Marriner did add some notes to Salieri's music that are noticeable in the beginning of the film, as Salieri begins his confession. The aria Ruhe sanft from the opera Zaide does not appear in the film. More Music from the Original Soundtrack. Overture. Mozart: The Magic Flute, K. Act II, The Queen of the Night (Der Holle Rache Kocht)Mozart: Masonic Funeral Music, K. Mozart: Piano Concerto No. Antonio Salieri: Axur, Finale. Mozart: Eine kleine Nachtmusik (Serenade No. Strings in G major), K. Graham Sheen. Mozart: Concerto for Flute and Harp in C major, K. Mozart: Six German Dances (Nos. Giuseppe Giordani: Caro Mio Ben. Mozart: The Abduction from the Seraglio, K. Chorus of the Janissaries (Arr.) and Ich Mochte Wohl (Ein deutsches Kriegslied), K. Arr.)The Masonic Funeral Music was originally intended to play over the closing credits, but was replaced in the film by the second movement of the Piano Concerto No. Murray Abraham)American Film Institute. United Kingdom. Murray Abraham)Best Costume Design (Theodor Pi. British Board of Film Classification. Retrieved May 1. 3, 2. Retrieved December 2. ISBN 9. 78- 0- 3. Warner Bros Pictures, 2.
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